The Crown And The Scholar Book 7: The Rivals
개요
In Regency London, Miss Victoria Ashby has no patience for the marriage market. A scholar of rare brilliance, she earns a place on the Royal Commission on Historical Documentation—only to find her position threatened by a rival who doubts a woman belongs in scholarship. Lord James Hartwell, Earl of Blackmoor, faces his own battle: a challenger determined to take his political seat.
When Victoria corrects Blackmoor’s attribution of the Rosetta Stone in the British Museum, their minds meet with instant recognition. What begins as intellectual respect deepens as they are drawn into parallel wars—hers for scholarly legitimacy, his for political survival. Together, they use her languages and research and his access and strategy to defuse a treaty crisis and outmaneuver their enemies.
But the ton watches their unlikely alliance with disapproval, and both must decide whether a love built on evidence, respect, and partnership is worth the risk.
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The library at Ashby House in Russell Square was smaller than the libraries of
the great houses but better organised — her father had been a man of systematic
intellect and the library reflected this, the books arranged by subject and then
by date of publication in a system that Victoria had inherited and maintained
and expanded. She worked here every morning from six until ten before the social
obligations of the Season required her attention. Lord Blackmoor had called at
eleven on four separate occasions and had been informed she was in the library
on three of them. On the fourth occasion he had asked to be shown to the
library. She had not expected London to contain the things it had turned out to
contain — the Wednesday Circle, the commission, the specific quality of Lord
Blackmoor in the Egyptian antiquities room with genuine attention on his face.
She had not expected to be changed by London. She was changed. She was also, she
had noted, more herself than she had been before she came, which was what
happened when you encountered something that allowed the full use of what you
were. A rival for Victoria's commission.
He said, in the Egyptian antiquities room, without preamble: 'You are the first
person who has correctly identified the provenance of the Rosetta Stone
facsimile in this room.' She said: 'It is not a facsimile. It is the stone
itself. The one in the main hall is the copy.' He looked at the stone and then
at her. He said: 'You are right.' She said: 'I know.' He said: 'Most people
would not say so.' She said: 'Most people find false modesty more comfortable
than accuracy.' He said: 'And you do not.' She said: 'I find accuracy more
comfortable than most things.' He said: 'I begin to think we have that in
common.' It was the longest conversation he had initiated with a woman of the
ton in four Seasons and the most interesting thing he had said in three The
political world had an opinion about everything and an accurate opinion about
very little, and Victoria had learned to use this gap — the gap between what the
political world believed and what was actually the case — as her primary
operating space. Lord Blackmoor had been operating in the same gap for a decade
before she arrived. They had found each other in it, in the manner of people who
recognize a familiar method in an unfamiliar person, and had been refining their
combined use of it ever since
He had been falling in love with Victoria Ashby since the day she corrected him
on the provenance of the Rosetta Stone. This was not a poetic way of speaking —
he had fallen in love with her at that specific moment, in the specific instant
when she had said 'I know' with the calm certainty of someone for whom accuracy
was not a performance but a condition of existence. He had spent the following
nine months in the process of admitting this to himself, which was a longer
process than his political training should have permitted but which was, he had
concluded, appropriate — the admission required time because what he was
admitting was not temporary but entire. He was entirely in love with her. He had
been for nine months. He intended to remain so She had been building the case —
the case for what she felt, the case for what she believed he felt, the case for
what this would mean in practice — with the systematic care of a scholar
building any case: from evidence outward, acknowledging counterarguments,
testing the conclusion against the strongest available challenge. The strongest
available challenge was the political world's opinion of their union and her own
uncertainty about whether a woman of her particular quality could be loved in
the particular way she needed to be loved. She was resolving both
Lord James Hartwell, Earl of Blackmoor, is not what the political world
describes and is not what the ton describes and is, I have concluded after three
months of observation, something that neither group has the correct vocabulary
for. He is not a rogue — he is too principled. He is not a scholar — he is too
political. He is not a diplomat — he is too honest. He is a man who has decided
to be genuinely capable rather than apparently capable, which is rarer than it
ought to be in a world that rewards appearance. I find this quality remarkable.
I find him, I have admitted to myself in the privacy of my own library at six in
the morning, remarkable The work of the commission was the most intellectually
sustaining thing she had done in London and the second most sustaining thing she
had experienced in London overall, the first being the specific quality of Lord
Blackmoor's conversation on the subjects that mattered, which was a ranking she
had made without intending to and had found, on review, to be accurate. He spoke
about history and politics and natural philosophy and the management of the
estate he had inherited at twenty-two with the integrated intelligence of
someone who had never been required to keep his interests separate. She had
never been permitted to keep her interests integrated. She was integrating them
now, in this city, in this work, in his company
The ton observed them with the interest it gave to unusual pairings, which was
the specific interested disapproval of an institution that valued what it knew
and was uncomfortable with what it didn't. Lady Pemberton's column had three
times referred to them as an unlikely match. Victoria had read the column each
time with the expression of someone reading a document in a foreign language —
she could parse the words but the value system that produced them was entirely
external to her own. She was unlikely. He was unlikely. They were, she had
decided, exactly likely for each other
He was in the park at six in the morning and she was in the park at six in the
morning and neither of them had mentioned this to the other despite seven
mornings of identical timing, and the silence about it was itself a kind of
conversation — the conversation that two people have when they are both aware of
something and are waiting for the right moment to acknowledge it. She had
decided that the moment was approaching. The evidence was complete. The
conclusion was right. In the British Museum, on Tuesday, in the Egyptian
antiquities room, she would tell him what she had concluded. She would tell him
the conclusion was him
She returned from the park to the Russell Square house and went up to the
library and sat at her father's desk with the commission documents and her tea
and the specific contentment of a morning that had been spent correctly. She was
working. She was in love. She was in London. All three things were true
simultaneously and she had stopped finding their simultaneity surprising. She
began to write. Lord Blackmoor was in the next paragraph, as he was in most of
her thinking now — not because she had invited him there but because he had
arrived and proved himself worth the space. She wrote. The morning continued. He
would call at eleven. She intended to be in the library
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