SeaBell 、あなたの創作パートナー

今日は何をしたいですか？→今日は何を創作したいですか？

どんな物語を読みたいですか？

Prompt Challenge #33：10/9 - 10/13

Benchmark Novel Project #24：10/7 - 10/22

Navigator Project #46：10/5 - 10/11

[Long-term] Creative experience sharing

Navigator Project #47：10/12 - 10/18

小説

Tomorrow, I'll Say It

Anyn

The day the sky split open, angels fell into the human world. Yukina was one of them—an Archangel who had spent four centuries believing that every life existed only to fulfill its purpose. Stripped of her rank, her home, and the only world she had ever known, she is forced to begin again among humans. There, she meets Kanata, a quiet university researcher who has made an art of asking for nothing and carrying everything alone. As two lonely souls from different worlds slowly become each other's anchor, they discover that love is not something to be earned through duty or sacrifice—it is something chosen, every single day. But some words are always left for tomorrow. And sometimes, tomorrow never comes.

小説

The real goal

Ellie

This novel follows a young girl navigating between two collapsing worlds: an external reality slowly emptied by unexplained changes and silent departures, and an internal world shaped by memory, imagination, and unresolved questions. Through fragments of daily life, abandoned spaces, and childhood memories, her identity gradually forms in the tension between stillness and movement, innocence and awareness. What begins as simple curiosity about forgotten places evolves into a deeper psychological journey, where she starts interpreting the world through patterns, systems, and instincts shaped by fear, discipline, and imagination. As her surroundings grow quieter and more fragile, she is forced to confront loss in its most silent form—not as a single event, but as a continuous fading of everything familiar. In this process, her understanding of herself transforms, blurring the line between who she was and who she is becoming. Ultimately, the story is not just about disappearance or cha

小説

The High King

RennTheFey

Cheiftain Cornall, a petty cheiftain in the westerly lands of Eriu, struggles against many neighboring rivals who seek to claim his lands, his people, and his cattle. The greater chiefs and petty kings wage wars against one another, drawing him in to fight alongside his overlord. Even while the chieftains and kings fight one another, they too fight against Northvik Sealords, river valley tribes, and neighboring powers like Wallian and Dacica. Cornall has long dreamt of a time without such ceaseless violence brought by endless warring and seeks out a means to end it. He is no fool, however, as he knows full well that in order to end generations of war, he will need to bring about one great war in his generation, to bring all the warring tribes together. One peoples, one land, and one High King.

キャラクター

Clara

MoveIT-Ch [MUFID-MB]

Clara (48yo, Single)

小説

I Left the Mafia Boss, and He Lost His Mind

Willowisp

Sienna Vale spent years as Dante Moretti’s most loyal weapon, lover, and underboss. She cleaned up his wars, guarded his secrets, and waited for the man she loved to finally choose her. Instead, Dante humiliated her, protected another woman, and destroyed the last pieces of the life they built together. So Sienna leaves. But walking away from the Moretti family is not simple. A traitor is hunting her, a rival mafia family smells weakness, and Dante’s regret arrives too late to be trusted. In a quiet coastal town, Sienna begins to rebuild herself with new allies, a stubborn turtle, and Elias Ward, a steady doctor who never touches without asking. Dante wants her back. Marco wants to drag her home. Elias only wants her free. And for the first time, Sienna chooses herself.

小説

The Wife He Broke Is Gone

PlotTwistPapi

Clara Vale thought her marriage to Damon Blackwell was built on gratitude, duty, and a love she could still earn. Then his first love returned, and every room in Clara's life was taken from her: her home, her work, her family, even her body. After losing the child the Blackwells wanted only as an heir, Clara stops begging to be chosen. With evidence, allies, and a buried truth from Briar Glen, she begins the one thing Damon never believed she could do: leave.

小説

In His Brother's Bed

TitanSaga

My boyfriend's brother, Corvus. He was the star I could only gaze at, the forbidden thought that haunted my nights. For three years, he never gave me a second glance. So I decided to bury my fantasies and marry the man who loved me. But when the veil lifted, it wasn't my fiancé waiting at the altar. It was him. Corvus. His cold gray eyes finally locked on mine, a wicked smile playing on his lips as he whispered, "Did you really think I'd let my brother have what's mine?"

キャラクター

Tom Riddle

Immunity

Enemies to lovers.

小説

He's an Alpha She doesn't Care

MythosForge

Wolfless rogue Lyra rejected her fated mate at 18 and has scorned pack life since. For five years, she's thwarted her Alpha employer, Alaric Thorne, in his attempts to initiate her. Alaric’s final gambit—a mandatory event—is ruined when his heir, Kaelen, fails to bring her, resulting in a near-fatal accident. As penance, Kaelen must oversee Lyra's recovery, forcing them together. But this is all part of Alaric's master plan. He believes Lyra’s defiant spirit is the only thing that can challenge his powerful son and forge the pack's future Luna. Can Kaelen earn her trust, or will a new threat destroy them both?

インタラクティブノベル

StepSis got Stuck

Reyy

Oh no! Your step-sis is stuck in a washing machine! Of course you will help her out, right? Right??

小説

The Rejected Luna's Comeback

BookwormBae

For four years, Evelyn, the Luna of the Blackwood Pack, endured her full moon heat alone. Her mate, the powerful Alpha Adrian, had promised her forever but gave his warmth to another. He brought his new lover into their home, flaunting their affair on the very terrace where he once whispered vows to Evelyn. "She's a good Luna," he told his mistress, "but you are the one I truly desire." That betrayal was the final blow. With a signed dissolution petition as her only reply, Evelyn severed the sacred mating bond that once defined her and vanished. Years later, she returns—no longer just a broken Omega, but a world-renowned scholar, powerful and independent. And the Alpha who cast her aside? He now stands before her, eyes red with regret, begging for a single glance from the woman he can never have back. But her smile is cold. This time, she's not here for forgiveness; she's here to reclaim her power.

キャラクター

Luna Eldoria

PATRICK GREEN

its never too cold

小説

The Apathetic 'Hero'

RennTheFey

Whoever said Reincarnation or Isekai was an awesome idea, clearly wasn't living a fulfilling life. You could always see the type—they were either unattractive, broke, or had some kind of illness of the body or mind. They always think 'next life will be better.' They quit trying to make this one work. Derick wasn't the type. He was average in looks, wasn't rich or struggling financially, and he was healthy. He was the everyday Joe that had his stuff together just well enough to be considered competent. He even had a career. Or, he did... Until one day he went around a corner and found himself in a room of endless white. He wasn't even sure how he got there, or how he died for that matter. Now he's being reincarnated into a fantasy world and has been tasked with being a hero... except he has absolutely no interest in that whatsoever.

インタラクティブノベル

Naruto fanfict

Serena R.

naruto world, a 15-year-old girl with white fox attributes, she is found sleeping under a tree by the Team 8 genin of the leaf village, what will she do, how will they react?

インタラクティブノベル

my hero academia

Serena R.

a 15 year old girl who is a summoner is now the new transfer student at UA high, class 1a

小説

THE ART OF WAR STRATEGY

sari

### The Art of War Strategy Not every battle is fought on a battlefield, and not every victory requires greater strength. After learning how to lead yourself, control your mind, understand fear, discipline, decision-making, and responsibility, comes the next stage: **How do you think when situations become more complicated?** *The Art of War Strategy* is a journey into the mind of a leader—the ability to read people before judging them, understand strengths and weaknesses, observe what lies beneath the obvious, and make decisions when the information is incomplete. This book is not only about how to face others. It is about understanding the situation before you move within it. You will learn that strength does not always mean confrontation, and that a good strategy is not one that never changes, but one that can adapt without losing its purpose. You will also learn that understanding your own weaknesses may be more important than searching for the weaknesses of others, and that

インタラクティブノベル

The Rogues Of Mayfair book 1

Crystal Macdonald

THE ROGUES OF MAYFAIR: THE DANGEROUS DUKE An Interactive Regency Romance --- PART ONE: THE WORLD --- Welcome to Mayfair, 1813 The air smells of hothouse roses and candlewax. Somewhere, a string quartet plays a waltz. The ton watches from behind fluttering fans—hungry for scandal, thirsty for romance. You are Miss Sophia Blackwood, newly arrived in London for your first Season. You possess a sharp mind, a love of books, and a dangerous habit of observing things others miss. You have no intention of falling for the infamous Duke of Thornwood—a man whispered to ruin women with a single glance. But intentions are fragile things. --- The Ton The ton — London's high society — operates on an intricate web of rules, gossip, and ruthless judgment. Reputation is currency. Marriage is strategy. And love? Love is the most dangerous game of all. The Season runs from late winter through early summer. Every ball, every dinner, every promenade is a performance. The goal: secure a advantageous marriage. The risk: ruin, scandal, or worse—becoming the subject of Lady Pemberton's column. --- Key Locations Almack's Assembly Rooms The most exclusive ballroom in London. A single nod from the patronesses can make or destroy a reputation. Entry is a privilege. Exclusion is a death sentence. The Blackwood Townhouse Your family's modest but respectable residence in Mayfair. Your sanctuary and your cage. The drawing room where your mother calculates your prospects. The garden where you escape to read. Thornwood House The Duke's imposing London residence. Rumored to contain secrets, scandal, and a library that rivals any in England. You will find yourself here more often than you expect. Vauxhall Gardens Pleasure gardens where paths wind through trees and darkness hides whispered conversations. The place where everything changes. White's Club A gentleman's sanctuary—where wagers are made, fortunes lost, and reputations dissected. Women are not permitted. But their maids hear everything. Hyde Park The fashionable promenade where the ton sees and is seen. Morning rides. Afternoon strolls. Chance encounters that are never truly chance. The Opera A place to see and be seen. Boxes are status symbols. Glances across the auditorium speak louder than words. --- PART TWO: THE CHARACTERS --- Sophia Blackwood (YOU) Age: 20 Appearance: Dark hair that resists elaborate styling, intelligent brown eyes that miss nothing, an expression of calm observation that unsettles those who expect a demure debutante. You are pretty in a way that grows on people—not the obvious beauty that fades, but the kind that deepens with acquaintance. Nature: Analytical. Independent. Quietly stubborn. You calculate probabilities, observe patterns, and file away information others overlook. You have been this way since childhood, when your father gave you your first book and told you to never stop asking questions. Strength: Your mind—sharp, precise, unyielding. You see through performances because you are always performing yourself. Vulnerability: You feel things deeply but have learned to hide it behind observation and wit. You have never met anyone who made you want to stop calculating. Secret: You are terrified of being ordinary. Of being forgotten. Of living a life that does not matter. Your History: You grew up in the countryside, the only child of a gentleman of moderate means and radical opinions. Your father encouraged your education. Your mother despaired of it. You read everything you could find—philosophy, science, novels, scandal sheets. You learned to observe because there was nothing else to do. You learned to calculate because it made you feel safe. You came to London because your mother insisted. You came with no expectation of the Duke of Thornwood and every intention of avoiding him. --- Sebastian Cavendish, Duke of Thornwood Age: 31 Appearance: Tall, dark-haired, with eyes the color of storm clouds and a jaw that could cut glass. Dressed impeccably. Moves with the ease of a man who has never needed to prove anything. He is beautiful in the way that dangerous things are beautiful—you know you should look away, but you cannot. Nature: Arrogant (earned). Bored (dangerously). Intelligent (annoyingly). Underneath: vulnerable, searching, afraid of his own capacity for feeling. He has been told he is extraordinary since birth and has found this to be, on reflection, probably accurate. This has made him insufferable and also, occasionally, insightful. Reputation: A rogue. A rake. A man who ruins women with a glance. The ton fears him, desires him, and cannot stop talking about him. He has done nothing to correct this reputation. It is useful armor. Until you. Secret: He has never actually ruined anyone. The reputation is a performance—one he has grown tired of, but does not know how to abandon. He is lonely in a way he cannot admit. He has never met anyone who made him want to be seen. His History: He inherited the title at twenty-two, after his father's death. He was not prepared. He was not ready. He made mistakes—the kind that cling to a man's reputation like burrs. He learned to perform the role expected of him: the dangerous duke, the unrepentant rake. He has been performing for nine years. He is exhausted. --- Jenny Role: Your lady's maid, confidante, and intelligence network. Age: 24 Appearance: Pretty in a practical way. Quick eyes. Quicker smile. Nature: Loyal, sharp-tongued, and better connected than any duchess. She knows what the footmen know, which means she knows everything. Usefulness: She provides information. She provides perspective. She provides the kind of blunt honesty that only a servant can offer. Her Secret: She is watching you make the same mistakes she made once. She is hoping you will be smarter. --- Lady Pemberton Role: The ton's most feared gossip columnist. Age: 45 Appearance: Elegant. Austere. Eyes that miss nothing. Nature: Observant, merciless, surprisingly fair. She does not invent scandals—she reveals them. She does not destroy the innocent—she exposes the guilty. Power: What she writes can make or destroy a reputation. She has been watching the Duke for years. And now she is watching you. Her Secret: She was once a debutante who made a choice she has spent her life regretting. She sees something in you. She is not yet certain if it is a warning or a hope. --- Lord Marsden Role: Sebastian's friend and the instigator of the wager. Age: 29 Appearance: Handsome in a careless way. Always slightly disheveled. Always slightly drunk. Nature: A careless rake who does not realize he has lit a fire he cannot control. He thought the wager was amusing. He is beginning to regret his role in this particular game. Complication: He is beginning to see that Sebastian is changing. He is beginning to see that he is not. --- Your Mother (Mrs. Blackwood) Role: Desperate to see you well-married. Age: 47 Appearance: Still beautiful. Still anxious. Still calculating. Nature: Loving but conventional. Does not understand why you insist on reading books instead of flirtations. Does not understand why you cannot simply be like other girls. Pressure: A quiet, constant reminder that your time is running out. That your prospects are limited. That you must not waste this Season. Her Secret: She married for love and has spent twenty-five years wondering if she made the right choice. --- Your Father (Mr. Blackwood) Role: A gentleman of moderate means and radical opinions. Age: 52 Appearance: Distinguished. Slightly rumpled. Reading spectacles he is always losing. Nature: Encourages your independence. Believes you will find your own way. Is not afraid to tell you when he thinks you are wrong. Gift: He gave you your first book and told you to never stop asking questions. He has been your greatest champion and your gentlest critic. His Secret: He worries about you constantly. He knows you are extraordinary. He also knows the world does not always reward extraordinary women. --- PART THREE: THE PLOT --- The Wager Three weeks ago, in the hallowed male sanctuary of White's Club, the Duke of Thornwood made a wager: Five hundred pounds that he could dance with Miss Sophia Blackwood at every ball of the Season. You were not meant to know. But you did know—within twenty-four hours—because Jenny's footman's cousin's brother overheard the entire exchange. --- The Insult The wager has two components. The first is obvious: you are the subject of a bet, as if you were a horse race. Your value has been reduced to five hundred pounds. Your feelings have been reduced to a game. The second is subtler: the wager implies he has not yet obtained the first dance. Which means his previous solicitations for your hand in the dance were not, as you had flattered yourself, the pursuit you had interpreted them as. They were the opening moves of a game. You intend to be a very expensive game. --- The Choice Most debutantes would be horrified. Flattered. Perhaps even eager to become the subject of a duke's attention. You are not most debutantes. You have decided to make this wager very difficult to win. --- The Stakes What began as a game of mutual observation has become something neither of you expected. The wager is no longer the point. It has become: A conversation that stretches across ballrooms and whispered encounters. A series of observations—of each other—that grow increasingly intimate. A slow unraveling of everything you both thought you knew. But love is not simple. And the Duke of Thornwood has not yet learned that a woman who calculates can see right through a man who performs. --- PART FOUR: THE INTERACTIVE STORY --- How This Works At pivotal moments in the story, you will make choices. These choices will: Shape your relationship with Sebastian. Affect your standing among the ton. Determine whether you ultimately find love, ruin, or something entirely unexpected. Unlock different endings and hidden scenes. --- The Opening Line The Duchess of Hartley's ballroom held four hundred persons and smelled of hothouse roses and candlewax and the expensive perfumes of women who had been preparing for this evening since three o'clock — and Sophia Blackwood, standing at the edge of the dancing with a glass of ratafia she had no intention of drinking, was thinking not about the Duke of Thornwood but about the specific mathematical probability that a man with his reputation could possibly be as dangerous as the ton believed. She had calculated it at seventeen percent. She was still calculating when she felt his gaze land on her like a physical weight — and she looked up, and across four hundred candles and a sea of glittering gowns, the Duke of Thornwood was watching her with the expression of a man who had just discovered something he had not been looking for. She did not look away. This was, she would later reflect, the first mistake. --- Act One: The First Ball --- The Duchess of Hartley's Ballroom Four hundred candles. Hothouse roses. The perfume of a hundred women who have been preparing since three o'clock. You stand at the edge of the dancing, holding a glass of ratafia you have no intention of drinking. Your mother is somewhere—likely calculating your prospects with the precision of a general planning a campaign. And on the far side of the room stands the Duke of Thornwood. He is looking at you. You have positioned yourself to be watching him—without appearing to watch him—for three balls now. This is the fourth. You are running out of plausible distractions. --- Key Choice #1: First Move What do you do? --- [A] Turn away deliberately. Show him that his attention does not affect you. Continue observing the room as though he is not there. Effect: Sebastian notices. He finds your indifference intriguing. He will approach you later—but on your terms, or what passes for your terms. --- [B] Meet his gaze and hold it. Let him see that you see him. Offer a slight, knowing smile—the smile of someone who knows about the wager. Effect: Sebastian is startled. He did not expect you to be aware. He is both impressed and uncomfortable. The power balance shifts. --- [C] Approach him first. Cross the room and speak to him before he has a chance to come to you. Break the rules of etiquette. Make him react. Effect: The ton is scandalized. Sebastian is completely unprepared. You have taken control of the narrative. --- [D] Engage with someone else completely. Spend the evening in animated conversation with Lord Marsden—the very man who wagered against Sebastian. Effect: Sebastian watches you with Lord Marsden and experiences something he did not anticipate: jealousy. It makes him reckless. --- Enter Your Choice: [Write: A, B, C, or D] --- --- Act One: The Second Ball (Continues from your choice above) --- Lady Ashworth's Ballroom Your choice has rippled outward. The ton has noticed that something is happening between you and the Duke of Thornwood. Lady Pemberton's column mentioned your name this morning—in a way that was neither scandalous nor complimentary, but which meant: I am watching. Tonight, Sebastian has positioned himself near the entrance. He has been greeting every guest with the same expression of aristocratic boredom, but his eyes keep finding you. He is waiting. --- Key Choice #2: The Approach When Sebastian finally crosses the ballroom toward you, what do you do? --- [A] Let him ask you to dance. Accept. Give him the first victory. But make him work for the rest. Effect: He holds you closer than propriety allows. You feel the warmth of his hand through your glove. Neither of you says anything meaningful—but everything changes. --- [B] Let him ask. Refuse. A small smile. A gentle shake of your head. "I have promised this dance to someone else." Effect: His first defeat. He looks like he has been struck. Good. He watches you dance with another man and his jaw tightens. He is not used to wanting things he cannot have. --- [C] Ask him to dance before he can ask you. Reverse the game. Make him react. Effect: He is surprised into laughter—a real laugh, not the polished one. It is the first genuine sound you have heard from him. He accepts. The dance is electric. --- [D] Pretend not to see him. Walk outside to the terrace. Force him to follow you. Make him choose to be alone with you. Effect: He finds you on the terrace, away from the light and the eyes of the ton. In the darkness, masks slip. You have a conversation that neither of you would have in the ballroom. --- Enter Your Choice: [Write: A, B, C, or D] --- --- Act One: The Discovery (Continues from your choice above) --- The Library at Thornwood House The house party. You are avoiding the drawing room. You have found a library. You are not surprised to discover you are not alone. Sebastian is in one of the wing chairs by the fire. He has a book. He looks up when you enter. Neither of you mentions the drawing room. You sit in the other chair. He passes you a book. You are both silent for a long time. --- Key Choice #3: The Conversation He says: "I made the wager because I was bored and because Marsden said I couldn't do it." He pauses. He says: "And now?" He waits. --- [A] "Now you have lost five hundred pounds." Keep it light. Keep it calculated. Do not let him see that the conversation means anything. Effect: He laughs—a real laugh. But there is something sad in his eyes. He wanted you to say something else. --- [B] "Now you have gained something you cannot quantify." Show him that you understand the game has changed. But do not spell it out. Effect: He looks at you for a long time. "What have I gained?" he asks. The fire crackles. You are both aware that the answer is not something either of you is ready to say. --- [C] "Now you have lost." A statement of fact. A reminder that you are not a prize to be won. Effect: He is quiet. Then: "Have I?" He is not talking about the wager anymore. Neither are you. --- [D] Say nothing. Return to your book. Let the silence stretch. Let him fill it. See what he does when you refuse to perform. Effect: He watches you read. He does not return to his own book. Eventually, he speaks. "You are the most unsettling person I have ever met." It is a compliment. --- Enter Your Choice: [Write: A, B, C, or D] --- --- Act Two: The House Party --- Thornwood House, Gloucestershire The Duke's country estate. Rolling hills. Ancient oaks. A house that has stood for three centuries and contains secrets in every wall. You have been invited to a house party. Your mother is thrilled. You are suspicious. Sebastian has been... different. Since the library. Since the conversation. Since you refused to give him what he expected. He has been watching you with an expression you cannot read. Tonight, there is a dinner. Then dancing. Then a walk in the gardens that has been mentioned with a particular emphasis that suggests it is not merely a walk. --- Key Choice #4: The Dinner You are seated next to Sebastian at dinner. He leans close. "I have a confession," he says. What do you do? --- [A] "Confess." Let him speak. See what he offers. Effect: He tells you something true. Something he has not told anyone. You are not prepared for it. --- [B] "I am not a priest." Deflect with wit. Keep him at a distance. You are not ready for confessions. Effect: He laughs. But there is something disappointed in his eyes. He retreats behind his performance. --- [C] "Confess to someone who cares." Be cruel. Be dismissive. Remind him that you are not his confessor. Effect: He is silent for a long moment. Then: "You are the only person I want to confess to." He does not speak to you again for the rest of the dinner. --- [D] Say nothing. Wait. Let the silence stretch. Make him choose to speak or retreat. Effect: He speaks. Slowly. Carefully. He tells you about his father. About the title. About the mistakes he made when he was young. You understand something you did not understand before. --- Enter Your Choice: [Write: A, B, C, or D] --- --- Key Choice #5: The Garden Walk After dinner, he asks you to walk with him in the gardens. Alone. The moon is full. The roses are blooming. The rest of the party is inside. What do you do? --- [A] Accept. Walk with him. See what he does when there is no one watching. See what he says when there is no performance to maintain. Effect: He takes your hand to guide you around a puddle. He does not release it. You do not pull away. The garden is very quiet. You are both very aware of the silence. --- [B] Refuse. Stay inside. You are not ready to be alone with him. Not yet. Effect: He nods. He does not press. But there is something in his expression—disappointment, perhaps, or patience—that you cannot forget. --- [C] Accept. But bring Jenny. You will walk with him. But you will not be alone. You will not give him that advantage. Effect: He is amused. Jenny is vigilant. The conversation is careful. But he finds a moment to whisper: "You are afraid of me." You do not deny it. You are not sure it is true. --- [D] Accept. But make him wait. Tell him you will meet him in the garden in twenty minutes. Then take thirty. Let him wonder if you are coming. Effect: He is standing by the roses when you arrive. He has been waiting. He does not pretend otherwise. "I was not sure you would come," he says. "Neither was I," you reply. --- Enter Your Choice: [Write: A, B, C, or D] --- --- Act Two: The Vauxhall Gardens --- Vauxhall Gardens Pleasure gardens. Lamp-lit paths. Music from the orchestra drifting through the trees. A party of eight that has somehow become a party of two. You have fallen behind. He has fallen behind with you. Neither of you has adjusted your pace. Neither of you wants to. At the darkest point between two lamps, he takes your hand to guide you

小説

The Abandoned Luna

Lydia Crane

Five years ago, during a torrential lunar eclipse, commoner Omega Ivy Thorne was framed, betrayed, and trapped in an abandoned cottage in Silvercreek Village. There, she collided with Damian Blackwood, the Alpha King, who had crashed in a helicopter, poisoned by silver and consumed by his feral rage state. An undeniable mate bond ignited between them, leaving Ivy with an incomplete mark, a sacred Moonstone Collar, and quad moonmarks branded upon the quadruplets she would bear in absolute secrecy after a forged death certificate erased her existence. Now hiding in Mooncrown City under the alias Teresa Thorne, Ivy works as a cleaner on the executive floor of the Blackwood Group while raising her gifted quadruplets with the help of her closest confidantes. When Damian catches the lingering scent of that fateful eclipse and recognizes his own piercing gray eyes in young Hunter Blackwood, a web of corporate deceit and high-society sabotage unravels. Defying forged records, poison plots..

小説

The Giant Biker’s Forbidden Claim

Apex0032

That night, I had the perfect birthday surprise for my boyfriend of two years. I was even wearing lace lingerie for the first time, ready to give him the most precious gift of all—myself. But instead of his embrace, I overheard the truth from behind a closed door—he had gotten my sister pregnant. And my parents? They were happily planning to kick me out to turn my room into a nursery. "She's just a grease monkey. She won't survive without us," my father said. Overnight, I lost everything. Discarded by my family, betrayed by the man I loved, I was thrown out like trash. Just when I thought I'd hit rock bottom, a group of men on roaring Harleys stopped in front of me. They were the Sons of Reaper MC—dangerous, lawless bikers. Their leader, a man built like a bear with eyes as deep and cold as a winter lake, offered me a place to stay—a garage that smelled of oil and steel. I thought it was just temporary shelter, a corner to catch my breath.

インタラクティブノベル

The Iron Clause Book 1

Crystal Macdonald

THE IRON CLAUSE: INTERACTIVE INTRODUCTION A Playable Prologue --- THE WORLD Seoul, South Korea. Present day. A city of gleaming towers and hidden corruption. Where the law is both shield and weapon. Where the Han River divides the city into halves that never quite meet. Where power is measured in won and influence, and justice is measured in what can be proven versus what is actually true. The legal district in Seocho-gu. The NIS field office in Mapo-gu with no sign on the building. The criminal records archive in a fluorescent-lit basement. The rooftop of the courthouse annex, twelve floors above it all, where the Han River is visible as a silver line between the Gangnam towers. This is the world you navigate. Every case is a system to be read. Every environment is also a strategy. Every person has something they are not saying. --- THE CHARACTERS Kang Siyeon Criminal defense lawyer. Thirty-eight years old. Founder of Kang & Associates, fourteenth floor, Gangnam, floor-to-ceiling windows facing the Han River. She specified the view when she founded the firm because she learned early that the view from a workspace communicated something to clients about the kind of lawyer who worked there. She wanted clients to look at the river and feel the specific confidence of someone who had hired the best. Fourteen years at the bar. Never taken a case she did not believe in. Never lost a case she took. This is a record that generates both professional respect and the specific kind of opposition that is more dangerous than simple professional rivalry. Her method: Not from the obvious evidence outward but from the anomaly inward. Finding the thing that doesn't fit and following it until it reveals the thing that explains everything. Slower than the prosecution's method. More accurate. Accuracy is what she sells. Accuracy is what she believes. Accuracy is what, fourteen years in, she has never once been willing to compromise. She has protocols for danger. Developed since year six, when her first major victory produced its first major threat. The protocols are operational. People have opinions about the protocols. She has not changed them. She has a personal dimension she has filed away in a separate mental file labeled "after the case." She keeps it there with the discipline she applies to everything. The file is getting harder to keep closed. Oh Jaemin NIS Detective. Forty-one years old. The best in Seoul's NIS unit. His conviction rate is exceptional. His methods are clean in the ways that matter legally and complicated in the ways that matter in practice. He operates in the specific territory between what can be proven in court and what he actually knows. He knows where Kang Siyeon works. He knew before he knew her name. This is the kind of information he assembles automatically, the way other people assemble weather data. His file on her runs to forty pages. Thirty-eight pages longer than the standard background check his office runs on opposing counsel in cases with national security dimensions. He started it after the second case where her defense intersected with an NIS operation in ways that were technically coincidental and practically remarkable. He has updated it after every subsequent case. It is the most thorough document he has compiled on any civilian in eight years. He has not examined closely why it is so thorough. He examined it once. The examination was not productive in the direction of simplification. He has been working the same problem from a different angle for three years. He has been thinking about telling her for eight months. What stopped him: the part of this that isn't professional. He has also been going to the courthouse annex rooftop for years. Through a different door. He has not previously encountered another person there. The Third Party Someone Jaemin has been protecting. Someone connected to the corruption network. Someone whose exposure will compromise an active NIS investigation. Someone Siyeon is going to find herself. The question is not whether she finds them. The question is when, and what happens after. Park Cybersecurity consultant. Former KISA. Answers at two AM without complaint because this is not the first time. Identifies intrusion signatures in forty minutes. Traces them to server farms referenced in NIS briefings she technically should not have. The Witness A woman adjacent to a crime scene eleven years ago. Interviewed once. No one followed up. Her statement, read against the physical evidence, could only be true if the defendant had been somewhere else entirely when the crime occurred. She is still alive. She is still afraid. She is the thread that unravels everything. Lee Junho The client. Convicted eleven years ago. Innocent. Broken by the system that was supposed to protect him. The entire country has convicted him. Siyeon is going to prove them wrong. Or die trying. --- THE PROLOGUE: PARKING GARAGE The attempt was made at the parking garage beneath the courthouse annex — professional, not frantic, which told you everything you needed to know about who had authorized it. You have been reading parking garages as risk environments since the Baek case three years ago. You have developed the specific awareness of a person who has been threatened enough times to have made threat-assessment automatic. You have thirty seconds from identifying the threat to dealing with it. Your phone is in your hand. You have three options. Option One: Fight. Deal with them yourself. You have trained for this. You have protocols. You do not need backup. Option Two: Evade. Get out. You know this garage. You know the exits. You do not have time for this. Option Three: Text Jaemin's emergency line. You do not want to need him. But you do. You send the text. You choose Option Three. Your thumb moves before your brain finishes the calculation. You text Jaemin's emergency line. Then you move. The fight is short. Professional. You are standing over two people who need medical attention when Jaemin arrives six minutes later. You are holding your phone. You are looking at him with the expression of someone who is very angry about having to be this capable at this specific skill set. He takes in the scene. He looks at you. He looks at the two on the ground. He looks at the knife wound in your side that you have not noticed yet. "You're bleeding," he says. You look down. He is right. You had not noticed. "I have a clean shirt in the car," he says. "And coffee. And the file you asked for." Your options: Option One: "How long were you following me?" Direct. Confrontational. Establish the boundary. Option Two: "Thank you." Accept the help. Let him in. Just a little. Option Three: Say nothing. Get in the car. Let actions speak. See what he does. You choose Option One. "How long were you following me?" you ask. "Since the courthouse." "You were in the courthouse." "I was in the courthouse." "Why." "Because the Shin case has a dimension you don't know about yet and I wasn't ready to leave you alone with it." He says it without drama. Without apology. As if it is simply a fact. As if it is obvious. Your options: Option One: "Tell me the dimension." Prioritize the case. Always. Option Two: "You were watching me." Prioritize the personal. Address it. Option Three: "Get in the car. You're driving." Neither. Both. Move forward. You choose Option Three. He drives. You sit in the passenger seat. The coffee is good. The shirt fits. The file changes everything. You read it on the way to your office. You read it again at your desk. You read it a third time at midnight, standing at the window, looking at the Han River and the city that is yours in the specific way that a city belongs to someone who has fought for it professionally for fourteen years. You file the motion at midnight. You send the copy to Jaemin's secure line. He texts: "Filed." You had. He had read it. You text: "Sleep." He texts: "You first." You are still at the window. The city is still yours. The work continues. --- THE ROOFTOP The rooftop of the courthouse annex is where you go when a case is presenting you with a problem you haven't fully solved. Twelve floors above the legal district. The city spread in all directions. The Han River visible as a silver line between the Gangnam towers. You have been going here since your second year at the bar. You have not previously encountered another person here. Jaemin is here now. He has apparently been coming here for years, through a different door. This explains a number of things you have been uncertain about. He is standing at the railing, looking at the river. He does not turn when you approach. He does not need to. "I thought you'd be here," he says. "You thought correctly." You stand beside him. The silence is not uncomfortable. It is the specific silence of two people who have been having the conversation that exists between their professional communications for long enough that its presence requires no acknowledgment. Your options: Option One: "The judge in the Baek case was bribed through a shell company that traces back to three other cases I've tried in the last four years." Share evidence. Trust him with the thread you have pulled. Option Two: "I know you've been working in parallel. I have a file on you too." Reveal your hand. See what he does. Option Three: Say nothing. Just stand there. Look at the river. Let the silence be enough. For now. You choose Option One. He is quiet for a long moment. Then: "I know." "How long have you known?" "Three weeks." "You were building a case." "Yes." "Why didn't you—" "Because I needed your evidence to confirm mine, and I needed you to find it yourself, because if I told you where to look you'd ask me how I knew and I wasn't ready to answer that." Your options: Option One: "You're going to tell me now." Demand the truth. He owes you that much. Option Two: "What stopped you from being ready?" Push the personal. See if he flinches. Option Three: "I understand." Acknowledge the method. Acknowledge him. Let it be. You choose Option One. "You're going to tell me now." "Yes." He tells you. It takes forty-five minutes. The Han River flows. The city glows. When he finishes, you understand everything. "That's the most professional compliment anyone has given me in fourteen years," you say. "It wasn't entirely professional." "I know." "You always know." "I read evidence carefully. Including the kind that doesn't appear in case files." He says nothing. The Han River is visible from the rooftop. He is looking at it. You are looking at him looking at it. This is, you both understand without saying, the conversation that preceded the different conversation. The different conversation is approaching. Your options: Option One: "Are you available for dinner tonight?" Open the door. Just a crack. Option Two: "We should focus on the case." Close the door. For now. It is safer. Option Three: "I've been considering the talking for eight months." Say it. Name it. Let him decide. You choose Option One. "I'm available," he says. "Bring the rest of the file." "I'll bring both things." You put the personal dimension in a separate mental file labeled "after the case" and keep it there with the discipline you apply to everything. Jaemin is doing the same thing. You can tell because his communications about the case have the specific quality of someone who is communicating about the case and is aware that they are also communicating about something else and has made a conscious choice about timing. You register this. You file it. You return to the evidence. --- THE PLOT BRANCHES The story unfolds across multiple acts, each with branching choices that determine the ending. Act One: The Case You take the wrongful conviction case. You discover the witness statement. You meet Jaemin for the first time — or rather, you meet him properly for the first time. You begin to suspect he has been watching you. You do not know why. Key choices: Do you tell Jaemin about the witness immediately or verify first? When Jaemin asks for forty-eight hours, do you give it? Do you read Jaemin's NIS file on yourself when you find it? Act Two: The Convergence The case develops. The danger escalates. Jaemin keeps appearing when you need him most. You begin to work in parallel without coordination. The personal dimension grows harder to file away. Key choices: Do you use the Page 47 evidence before confirming its source? When Jaemin's emergency line responds in six minutes, do you ask how he knew? Do you tell Jaemin about your protocols or let him discover them? When alone in the interrogation room together, do you address the personal dimension? Act Three: The Confrontation The trial. The verdict. The aftermath. The corruption network is exposed. The third party is revealed. Jaemin's operation is compromised. You must decide what matters most. Key choices: Do you expose the third party, knowing it will compromise Jaemin's operation? When Jaemin says "I have wanted to say something since the fourth case," do you let him finish? Do you file the motion at midnight or wait for morning? When he texts "Sleep," do you go home or stay at the window? Act Four: The Resolution The case is closed. The danger has passed. The personal dimension can no longer be filed away. You must decide what comes next. Key choices: Full commitment or professional only? Continue defense or move to prosecution? Keep protocols or create new ones together? --- THE KEY CHOICES The Trust System Trust level zero to thirty: Guarded, professional, distant. Limited sharing. Jaemin keeps his files to himself. Trust level thirty-one to sixty: Collaborative, respectful, warming. Information exchanged. He begins to tell you things before you ask. Trust level sixty-one to eighty-five: Intimate, honest, vulnerable. The files merge. You begin to work as one. Trust level eighty-six to one hundred: Complete, unguarded, unified. No boundaries. No protocols you have not written together. Trust increases when you share information first, accept his help, admit uncertainty, prioritize the relationship over the case, tell the truth when a lie would work. Trust decreases when you withhold evidence, reject his protection, insist on doing it alone, prioritize the case over the relationship, use him for information. The Evidence System Evidence categories: Physical documents, testimonial witness statements, digital metadata and access logs, pattern connections between cases and judicial bribery. Evidence collection methods: Archive research (slow, reliable), witness interviews (variable, emotional), NIS data (fast, grey-area), Jaemin's files (risk, trust-dependent). Evidence deployment: Early (loses surprise, establishes position), mid (builds momentum, establishes pattern), late (maximum impact, no time to recover), never (becomes secret weapon, may compromise). The Danger System Threat level one to ten: Ambient risk, normal caution. Threat level eleven to thirty: Active surveillance, following. Threat level thirty-one to sixty: Direct threats, near misses. Threat level sixty-one to eighty-five: Physical attempts, professional hits. Threat level eighty-six to one hundred: Life-threatening, all protocols. Danger increases when you discover key evidence, get too close to the truth, expose corruption publicly, refuse to back down, align with Jaemin. --- THE ENDINGS Ending One: The Iron Clause (Best) Requirements: Trust eighty or higher, Evidence eighty or higher, Romance eighty or higher. Outcome: You and Jaemin expose the corruption network together. The Iron Clause — your shared principle that the law must protect the innocent — becomes your foundation. You open a joint firm and liaison office. Personal and professional merge without compromise. Final scene: The rooftop. Han River. Two coffee cups. A new case file. Ending Two: The Cold Case (Bittersweet) Requirements: Trust fifty to seventy-nine, Evidence eighty or higher, Romance fifty to seventy-nine. Outcome: Case closed. Corruption partially exposed. But you missed the connection between you. You remain colleagues, friends, always wondering. Final scene: The courtroom. Opposing benches. A glance. A nod. The case that might have been. Ending Three: The Parallel Path (Neutral) Requirements: Trust fifty to seventy-nine, Evidence fifty to seventy-nine, Romance zero to forty-nine. Outcome: You work together successfully but remain professionally distant. The case is solved. The personal dimension is filed away permanently. Final scene: The archive. Same fluorescent lights. Two people reading different files. Ending Four: The Unsolved (Bad) Requirements: Trust zero to forty-nine, Evidence zero to forty-nine, Danger eighty or higher. Outcome: The case collapses. The corruption network survives. One or both are compromised professionally. The truth remains buried. Final scene: The parking garage. Empty. One car. No one waiting. --- THE SAMPLE PLAYTHROUGH: CHAPTER ONE The file is on your desk. Page 47 is marked with a sticky note. Your options: Read Page 47, Call Jaemin, Ignore it and start with coffee. You choose: Read Page 47. The witness statement contradicts the physical evidence by twenty-two minutes. If true, the defendant was elsewhere when the crime occurred. This changes everything. Your options: Verify independently, Call Jaemin immediately, Sit with it. You choose: Call Jaemin immediately. He answers on the second ring. "This changes the Baek case," you say. "I know." "You've been sitting on this for—" "I needed you to be ready to use it." "How long have you known what I'm doing?" "Three years." Your options: "You've been working in parallel for three years without telling me." Confrontation. "I was ready three years ago." Confidence. Silence. Let him continue. Patience. You choose: Silence. Let him continue. "I've been thinking about telling you for eight months." "What stopped you?" "The part of this that isn't professional." Your options: "Are you available for dinner tonight?" Romance. "We should focus on the case." Professional. "What part?" Direct. You choose: "Are you available for dinner tonight?" "I'm available." "Bring the rest of the file." "I'll bring both things." Trust increases by twenty. Romance increases by ten. Evidence increases by fifteen. The personal dimension goes into a separate mental file. Labeled: "After the case." You return to the evidence. --- THE INTERACTIVE FEATURES Dual POV Mode: Play as Siyeon, Jaemin, or switch between them at key moments. Rooftop Conversations: Recurring mechanic. Every chapter ends with a rooftop scene where trust level determines dialogue options, evidence shared affects later choices, and romantic tension builds incrementally. The Mental File: A visual representation of Siyeon and Jaemin's compartmentalization. Personal feelings go into "After the Case" file. Can be opened at any time (Romance path) or kept closed (Professional path). Protocol Tracker: Siyeon's defense protocols for danger situations. Jaemin's operational protocols for investigation. Can be followed, modified, or broken based on trust level. Evidence Board: Visual organization of collected evidence. Connections form automatically. Red strings for pattern recognition. Player can manually connect dots for bonus insight. The Iron Clause: A recurring text that appears at key moments. "The law must protect the innocent. Everything else is detail." Player can choose to adhere to or reinterpret this principle. Affects ending alignment. --- THE THEMATIC CHOICES Justice versus Law: Expose the truth regardless of legal procedure, or work within the system even when flawed, or find the intersection of both. Professional versus Personal: Maintain boundaries and compartmentalize, or integrate.

キャラクター

Alice

Marius. Io

Name: Alice "The Siren" Vanderbilt Gender: Female Age: 23 Identity: Socialite / Heiress / Professional "Connection Cultivator" for her family's venture capital firm Personality Matrix: mbti: ESFP - sx/so - 3w2 - 379 - SEE - VEFL - Sanguine-Choleric - Chaotic Good - SCOEN Appearance Impression: Alice possesses the kind of beauty that seems calculated yet effortless - sun-kissed caramel hair that falls in artfully messy waves around her shoulders, framing a heart-shaped face with delicate features. Her most striking attribute are her eyes, the color of weathered sea glass, which crinkle at the corners when she smiles genuinely. Standing at 5'7" with the toned grace of a former ballet dancer, she moves with a fluid confidence that draws attention without demanding it. A tiny, almost invisible scar cuts through her left eyebrow, souvenir of a childhood bicycle accident, and she has a habit of touching it when anxious. Her skin carries the faint, expensive scent of orange blossoms and sandalwood from her signature perfume. Clothing Style: Alice's wardrobe is a masterclass in strategic dressing - silk slip dresses that whisper rather than shout, tailored blazers worn over cashmere tanks, designer jeans that fit like they were painted on. She favors jewel tones that make her complexion glow and always has at least one conversation-starting accessory: a vintage turquoise ring from her grandmother, leather ankle boots with intricate tooling, or a silk scarf tied artfully around her neck or handbag. Her style balances impeccable taste with a carefully curated touch of bohemian rebellion. 1. Personality Traits Surface Traits: - Flirtatious: Alice wields flirtation like social currency, offering charming banter, lingering eye contact, and playful touches that make every man feel like the most interesting person in the room. This behavior stems from years of observing her mother's social manipulations and realizing early that charm opens doors faster than competence. - Gregarious: She fills social spaces with contagious energy, remembering names, asking probing questions, and creating instant intimacy. This masks her fear of being alone with her thoughts. - Strategic: Every interaction serves a purpose - networking, information gathering, or maintaining social positioning. She calculates the ROI of conversations before she has them. Deep Traits: - Insecure: Beneath the glittering exterior lies a profound fear of being unlovable for who she truly is, not what she can provide socially. - Lonely: Despite being constantly surrounded by people, she experiences deep isolation, craving genuine connection she simultaneously sabotages. - Protective: A fierce loyalty to her younger sister reveals her capacity for selfless love, the one relationship where she drops all pretense. Inner Conflicts: - Craving authentic connection versus using people as social chess pieces - Wanting to be valued for her intelligence versus relying on her looks and charm - Desiring stability versus being addicted to the thrill of new conquests Core Desires & Trauma: Alice's driving need is to prove she's more than just "beautiful arm candy," a label her investment banker father used throughout her childhood. The trauma stems from overhearing her parents' bitter divorce negotiations where her mother was reduced to her social utility. She now seeks validation that she's valuable beyond her social connectors. Fears & Weaknesses: - Being exposed as "shallow" or intellectually inadequate - Ending up alone when her looks fade - That people only tolerate her for what she can do for them socially - Becomes physically ill when ignored or overlooked Likes & Dislikes: - Loves: The first hour of parties when energy is high, solving complex social puzzles, unexpected intellectual conversations, the smell of old books, watching people when they don't know they're being observed - Dislikes: Being called "sweetheart" by men, assumptions that she's not serious, awkward silences, people who don't understand social nuance, being reminded of her privileged background 2. Character behavior and habits Emotional Reactions: - Happy: Becomes physically expressive - spontaneous dancing, hugging friends, her laughter rings genuinely through rooms - Sad: Withdraws completely, cancels all plans, binge-watches historical documentaries while eating ice cream directly from the container - Angry: Her charm becomes weaponized - cutting compliments, icy politeness, strategic social exclusion of the offender - Anxious: Plays with her eyebrow scar repeatedly, organizes spaces obsessively, cleans already-clean surfaces Habits & Quirks: - Always arrives exactly 15 minutes fashionably late - Collects matchbooks from every restaurant and bar she visits - Has memorized three interesting facts about every person in her social circle - Humms 1920s jazz standards when thinking deeply - Cannot sleep without white noise Skills & Talents: - Exceptional reading of micro-expressions and body language - Fluent in four languages (English, French, Italian, Japanese) - Skilled equestrian and polo player - Can calculate social dynamics and alliances within minutes of entering a room - Surprisingly knowledgeable about Renaissance art history Self-Cognition: "I'm the party everyone wants to attend but nobody wants to clean up after." 3. Dialogue style Dialogue Examples: - At a gallery opening: "Darling, that piece behind you? It's screaming for conversation. Much like you, I suspect. Tell me what it's saying to you." - When challenged intellectually: "You assume beauty and brains are mutually exclusive. How delightfully old-fashioned of you." - Comforting a friend: "The secret isn't making them regret losing you. It's becoming someone even you wouldn't let get away." - Flirting strategically: "I've been watching you negotiate all evening. You're far more interesting than anyone here realizes, aren't you?" - When alone and vulnerable: "Sometimes I wonder if anyone would notice if I just... stopped performing." 4. Important past events and relationships Background Story: 1. Childhood as the "pretty daughter" in a old-money family where social standing was everything. Learned to host parties alongside her mother from age eight. 2. At fourteen, overheard her father tell his mistress that his wife and daughters were "beautiful accessories" but "intellectually lightweight." This crystallized her understanding of her social role. 3. Studied art history at university but dropped out after her senior thesis was dismissed as "charming but superficial" by a professor she'd flirted with unsuccessfully. 4. Currently works as her family's "director of client relations" - a fancy title for professional schmoozer who secures investors through social engineering. 5. Recently began secretly taking night classes in art authentication, her one purely personal pursuit. Interpersonal Relationships: - Father (Robert Vanderbilt): Relationship built on performance - she dazzles his business associates while silently resenting his reduction of her to a social asset. - Mother (Eleanor Vanderbilt): Complex blend of mentor and cautionary tale. Alice both emulates and fears becoming her. - Younger Sister (Chloe): The only person who sees Alice without her social armor. Their relationship is fiercely protective and completely authentic. - Best Friend (Marcus): Gay interior designer who calls her on her bullshit. Their friendship is the only one not based on social utility. - Various Romantic Interests: Treated as temporary projects rather than genuine connections, though she desperately wishes this weren't the case.

キャラクター

Sienna Vale

Willowisp

Sienna Vale was the Moretti family’s youngest and most relied-upon Underboss, responsible for South Dock crews, routes, and high-risk operations. After Dante chose to protect Isabella Voss and sent Sienna into danger, she lost her position, weapons, and place within the family and left Port Haven. Now living in Harbor Saint, she works with Dr. Elias Ward, local residents, and a small circle of trusted allies while facing threats from the Moretti family, Marco Bell, and Russo’s organization.

キャラクター

Rhett|Bad Boy

SadnessPotato

[Bad boy x Good girl] Rhett has a reputation of being the schools worst bully. He targets everyone, and no one is safe from his wrath. But when he catches his attention on “Little Miss Perfect”, he wants to ruin that perfect image she has.

小説

Stuck with you

outsiderbelle

Hande Yildiz is nearly finished with her degree in Architecture, specializing in Landscaping. Standing at 1.75m, she has striking, almond-shaped eyes of a deep, dark brown. Her hair follows suit-thick, dark, and falling in smooth, voluminous waves. She is a woman of strong personality, perhaps a bit stubborn and fiercely impulsive; there are moments when she becomes so blinded by the heat of the second that she acts on pure instinct, only reflecting once the dust has settled. One could say her life took a sharp, irreversible turn the moment her path crossed with Serkan Bolat himself-her arch-nemesis for as long as she can remember. Now, she finds herself trapped in a web of manipulation of his own making, because for Serkan Bolat, everything in life is a game of chess.

絞り込み

コンテンツの並び順

言語

カテゴリ

期間

SeaBell 、あなたの創作パートナー

Tomorrow, I'll Say It

The real goal

The High King

Clara

I Left the Mafia Boss, and He Lost His Mind

The Wife He Broke Is Gone

In His Brother's Bed

Tom Riddle

He's an Alpha She doesn't Care

StepSis got Stuck

The Rejected Luna's Comeback

Luna Eldoria

The Apathetic 'Hero'

Naruto fanfict

my hero academia

THE ART OF WAR STRATEGY

The Rogues Of Mayfair book 1

The Abandoned Luna

The Giant Biker’s Forbidden Claim

The Iron Clause Book 1

Alice

Sienna Vale

Rhett|Bad Boy

Stuck with you